Digital cinematography is a great way to create cinematic quality content.

In fact, digital production has been around for decades.

Here are five things you should know before you decide to get started.


Digital cinematographers should be familiar with the medium.

“Digital filmmaking is a digital medium,” explains James Fadiman, founder of Digital Cinematographers.

“It’s a digital camera and a digital lens.

You’re essentially using a combination of those two.”

So, you need to be familiar enough with the tools you’ll need to make good decisions in your digital project.

You’ll want to be able to quickly reference your footage on the computer and your digital camera’s output on your digital projector to determine how much of the film you need and how much you need for the lighting.

Fadstein says digital cinematography is a bit of a mystery, but that the process is as simple as using the digital projector, and a film projector, with the right software.


The more you use, the better.

“A good digital cinematography team can be very talented in a short amount of time,” says Fadwell.

“That’s where the good cinematographer can really shine.”

For example, when shooting an action scene, it’s helpful to know the length of the scene and the amount of light to shoot.

You also need to know what lighting and lighting effects you’ll use.

“When you’re working on a digital film project, you have to have the knowledge of the digital lens and the digital camera,” says Mark Lattanzi, digital cinemagrapher at the famed Brooklyn Academy of Music.


When you have a budget, the more you need.

“If you’re making a feature film or TV series, you should spend a little bit more on digital equipment,” Fadsworth says.

“But if you’re a small studio, you can buy a new lens or a camera for $500 or $1,000.

So if you want to get the most out of your budget, you want a camera with a higher quality.”

The most important thing is that the equipment you buy will give you the freedom to shoot your film with more depth, more light, more definition and more definition than the camera you already own.

And you need the ability to work with different light sources to achieve the right look.

“You can’t be an amateur when you’re shooting digital,” says Lattani.

“The most important part of digital filmmaking is the experience you get with the camera.”

So if all you’re really interested in is the most detail possible, you’ll probably want to invest in a professional film camera.


If you want the most professional quality, make sure you shoot with the most.

“Make sure that you’re using the best equipment,” says Nabil Al-Saadi, digital cinema production director at The Weinstein Company.

“I think it’s important to know how it works and the kind of quality it can produce.

The best camera will give your work that best possible experience.”

“If it’s a camera that you can shoot in post and in motion, you don’t really need to do anything different than what you’ve been doing before,” adds Fad.

“We want to make sure that everything is just the best that we can get it to.”

And if you can, you may want to think about using a tripod instead of a monopod.

“Tripods are good for a lot of reasons,” says Al- Saadi.

“They’re lightweight, they have a good focal length, and they can be used as a tripod.”


The less time you spend on your project, the less expensive it is.

“There are a lot more digital cinematic projects than there are films,” says J.A. DeSantis, digital film director at Weta Digital.

“People spend a lot less time on digital than they do on films.

They’re shooting a lot fewer frames per second, and it costs a lot to produce a film.

It’s a lot cheaper to shoot a digital movie.”

So it may be worth your time to consider the idea of going the extra mile.

And don’t worry if you’ve never shot digital before, it can be as easy as taking a few basic steps.

“Once you learn how to use the camera, you won’t have to spend more time,” Al-Santis says.